Abigail D’Mello is a Canadian-born Indian fine artist based in Toronto. Her multidisciplinary practice explores the intersections of femininity, colonial resistance, and material storytelling. She holds a BFA in Drawing & Painting with a minor in Art History from OCAD University, where she developed a research-driven approach rooted in feminist theory, South Asian history, and archival inquiry. Her work is grounded in reclaiming erased narratives from India’s pre-colonial past, often centering powerful women and overlooked cultural traditions.
Abigail’s practice is currently expanding beyond painting into material-based installation. She is researching South Asian textile histories, specifically the paisley motif, indigo dyeing, and the symbolism of sarees and dupattas, as part of an ongoing investigation into cross-cultural exchange and the colonial legacies embedded in fabric.
My practice explores the stories of Indian women, whether historical figures or collective movements, who have defied societal expectations, fought for justice, and shaped cultural legacies. Through painting and material explorations, I use visual art as a research-based tool to illuminate lesser-known histories and challenge dominant narratives. Driven by a commitment to public education, I engage viewers through visual storytelling and narrative works that uncover and share the forgotten histories of India. I aim to make erased voices, cultural traditions, and decolonial histories throughout India more visible and accessible. Using vibrant color, symbolism, and carefully sourced materials, I explore themes of resilience, autonomy, and power. By transforming rigorous historical inquiry into a powerful visual language, I strive to foster awareness, critical reflection, and dialogue with broader audiences.